Golden Oats

My favorite time of day to be at the beach is late afternoon ... the sand is cooler, the colors are richer, the shadows offer dramatic contrasts, and the hustle and bustle settles into a quiet peace.  Golden Oats celebrates that time of day.

I started with this image, from a glorious afternoon in Nags Head, NC. 

After sketching basic placements, I squinted my eyes at the photograph and painted an undercoat of cool colors for the shadowed, darker valued areas that I saw.  From this beginning, I felt that it would be a strong composition, leading the viewer's eye in from the bottom left and then moving around to the steps, followed by the dunes on the right, and then  back to the entry point.  At least that's what my eye does :) 

In the first coat of thicker paint, I tried to stay true to my initial dark/light composition while laying in more accurate colors.

This next, and final, step took the most time, with lots of subtleties to show depth, but I feel that it successfully captures my favorite beach time of day.

Golden Oats, 12x16, SOLD

 

Sea Oats

Every summer my family goes on vacation to Nags Head NC for one of our favorite weeks of the year and for precious time spent with family from literally all over the globe.   This view is from the mid-level balcony of our beach house.  

While arguably a beautiful view, especially with the graceful sea oats of August, my camera could not fully capture what I saw -- the drama of the evening sun draping its way through the sea oats and beckoning up the stairs.  As an artist, the drama of the sunlight and the sense of welcome were what I sought to capture

 

 I began my painting by "sketching" the basic shapes of the scene with orange (since it complemented the blues) and then laid in thin paint as a road map for my darks and lights as well as my warm and cool colors.  This was a great way to work out how I wanted the viewer's eye to move through the painting.  I was careful to plan for more cools than warms and darks than lights because I wanted the warm sun-lit stairs to be the center of interest. 

At this stage of the painting process, an artist has to have great faith and not listen to passers-by who say, "Um.  Interesting."  :)

 As I laid paint on more thickly, keeping my darks largely "transparent" and my lights more opaque, I tried to stay faithful to my initial road map.  By reserving the purest colors, sharpest edges, and greatest contrast for the center of interest, I had fun making it, well, interesting!

  Sea Oats, not available

8x16 Oil

Sometimes one painting isn't enough when it's a scene I love.  Here's a slightly larger and different take on the same wonderful view.

Sea Oats of August, SOLD

12x24 Oil