Fiddling with the Light

I loved the simple composition of this scene as I looked down on this violinist during our trip to Italy several years ago.  It was a hot day, but he found a cool spot to play in the shadow of a giant pillar.  His music was lovely.

While the composition was simple, the perspective was not.  I probably went a little overboard with the detail on my initial sketch for such a small painting, but I really didn't want to finish the piece and then realize the perspective was askew.

After my sketch lines were fairly dry, I quickly covered all the warm sunlit areas in transparent yellow and and the cool shadowed areas in transparent blue. You may need to put on sunglasses for this...it's pretty bright!

The final painting is much softer.  My goal was to stay true to what originally inspired me (the simple composition) while "fiddling" with the warmth of the reflected light on the pillar and the musician.

Fiddling with the Light, 6x8 Oil, Sold

Venice Gold

A few years ago, my husband and I strolled through Venice on the first stop of our 25th anniversary trip.  This scene caught my eye because of the way the water turned golden with the reflection of a brightly sunlit buildings along one of the city's many canals ...

I cropped the photo to draw the golden light closer,

and then created a simplified sketch on canvas.  I was careful to get the architecture and perspective correct at this point (much easier now than later!)

One of the fun things about painting is that there are many "correct" ways to start.  For this painting, I chose to begin with my darkest area, which is the shadowed water that leads to the foreground boat, and then use that dark value to "key" my other values.

I painted each area almost to completion before moving on to the next, but always while comparing values -- darks vs. lights.  The important thing in this painting was to capture the essence of a golden glow, which meant that subtle value changes really mattered.

My process continued in this manner until the canvas was covered and then I went back for a second pass to make color corrections and add nuances.

I really love the way the lines in this composition lead your eye from the foreground boat through the golden sunlight and then along the walkway back to the foreground.  This painting was part of my "Making Ripples" solo show and helped to raise funds for a Rotary clean water & sanitation project in the Dominican Republic that my husband and I will be volunteering on in January 2015.
Venice Gold, 20x16 oil, SOLD

Here's the original cropped photo again for comparison: